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Apfelbäume bei Vetheuil

Claude Monet

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Apfelbäume bei Vetheuil

ID: #1579 | Impressionismus | Landschaften

Date: 1878
Medium: oil on canvas
Dimensions: 55x68 cm

Das Gemälde zeigt eine malerische Landschaft mit einem markanten Obstbaum im Vordergrund, dessen Äste mit roten Beeren beladen sind. Um den Baum herum befindet sich ein grasbewachsener Hang, und weiter in der Mitte des Bildes sind Felder und Reihen anderer Bäume zu sehen. Am Horizont erheben sich sanfte Hügel, und der Himmel ist dunstig mit einem Hauch von Blau.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Monet painted picture Apfelbäume bei Vetheuil in 1878. Prevailing color of this fine art print is grün and its shape is landschaft. Original size is 55x68 cm. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.

Apfelbäume bei Vetheuil

Claude Monet

Motif size

Total size: 80 x 58 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Apfelbäume bei Vetheuil

ID: #1579 | Impressionismus | Landschaften

Date: 1878
Medium: oil on canvas
Dimensions: 55x68 cm

Das Gemälde zeigt eine malerische Landschaft mit einem markanten Obstbaum im Vordergrund, dessen Äste mit roten Beeren beladen sind. Um den Baum herum befindet sich ein grasbewachsener Hang, und weiter in der Mitte des Bildes sind Felder und Reihen anderer Bäume zu sehen. Am Horizont erheben sich sanfte Hügel, und der Himmel ist dunstig mit einem Hauch von Blau.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Monet painted picture Apfelbäume bei Vetheuil in 1878. Prevailing color of this fine art print is grün and its shape is landschaft. Original size is 55x68 cm. This image is printed on demand - you can choose material, size and finishing.

Claude Oscar Monet (1840-1926). A native Parisian, who thoroughly developed the idea of Impressionism. Monet almost scientifically studied the effect of light on different objects. He devoted himself to so called transitory states, which quickly led him to work with colour and light, his paintings acting on the viewer from the first impression. His use of open-air painting and objects which were special only because of light opened the way for the beginnings of modern painting. Monet’s Impression, Sunrise (1874) not only gave the name to the whole art movement, but secured Monet a place among the best painters of all times. At one time, he resided in London and created his famous study Houses of Parliament (Monet wondered, How could the English painters paint Parliament when it cannot be seen for the fog?). In the Giverny, which became his favourite retreat after the death of his wife, he painted motifs from his garden and the popular series Water Lilies - the world of the water was as poetic and mysterious as a primordial paradise.


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