Porträt 1938

ID: #1523 | Surrealismus | Abstrakt

Das Gemälde ist eine abstrakte Komposition aus verschiedenen Formen und Farben. Es gibt drei sich überschneidende Farbflächen - gelb und orange im oberen Teil und grün-blau im unteren Teil des Bildes. Über diesen Flächen befindet sich eine rote Figur, die in ihrer Form entfernt an ein Insekt erinnert, aus dessen Körper schwarze lineare Formationen herausragen. Oben befindet sich ein kleiner grüner Kreis, der durch eine schwarze Linie mit einer größeren kreisförmigen Struktur verbunden ist, die rote und grüne Elemente enthält.
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Prevailing color of this fine art print is lebendig and its shape is porträt.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).