Milan

ID: #1529 | Surrealismus | Abstrakt

Das Bild zeigt ein abstraktes Kunstwerk mit kräftigen schwarzen Linien und farbigen Flächen. Die schwarzen Konturen sind hier besonders dominant und bilden achsenartige und geschwungene Formen, die entfernt an eine menschliche Figur oder Silhouette erinnern. Innerhalb dieser Formen sind deutlich farbige Abschnitte in Gelb, Grün, Rot und Blau zu erkennen. Es gibt auch kleine abstrakte Elemente und verschiedenfarbige Punkte, die auf weißem Grund verstreut sind. Die Gesamtwirkung des Werks ist dynamisch und spontan.

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Prevailing color of this fine art print is lebendig and its shape is porträt.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).