Farbe

ID: #1538 | Surrealismus | Abstrakt

Das Bild ist eine abstrakte Komposition aus dominanten Formen und kräftigen Farben auf blauem Hintergrund. Das zentrale Motiv ist eine rote Fläche mit Löchern und gelben Details, die an Augen und Münder erinnern könnten. Daneben befindet sich ein grüner Kreis mit einem orangefarbenen Rand und einem kleineren gelben Zentrum. Das Werk könnte an eine Figur oder an eine Gestalt in einem dunklen, mit Sternen übersäten Nachthimmel erinnern, was an die scheinbar zufällige Anordnung von Punkten und leuchtenden Punkten erinnert.

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Prevailing color of this fine art print is lebendig and its shape is porträt.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).