Das Gold des Azurs

ID: #1164 | TOP 100 | Surrealismus | Abstrakt

Das Gemälde zeigt eine abstrakte Komposition auf gelbem Hintergrund. Das dominierende Element ist ein großer blauer Punkt in der Mitte. Um ihn herum sind schwarze Linien, die unregelmäßige Formen und Kurven bilden, sowie kleinere schwarze und rote Punkte. Im Hintergrund sind mehrere schwarze Sterne und geometrische Formen verstreut. Unterhalb des Gemäldes befindet sich die Signatur des Künstlers.

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Prevailing color of this fine art print is gelb and its shape is porträt.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).