Blau I,II,III

ID: #1157 | TOP 200 | Surrealismus | Abstrakt

Das Bild zeigt drei separate Felder mit blauem Hintergrund. Die erste Tafel hat verstreute schwarze und rote Formen, die zweite Tafel hat einen langen roten Kratzer und mehrere kleinere schwarze Punkte in einer Formation, die einem Teil eines Kreises ähnelt, und die dritte Tafel hat eine einzelne größere schwarze Kreisform in der unteren rechten Ecke. Alle Formen sehen aus wie abstrakte Gemälde oder Flecken.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is blau and its shape is lang.

Joan Miró i Ferrà (1893-1983). Spanish (Catalonian) painter and sculptor. His paintings are considered surrealist. His approach attacks the traditional methodology (from the 1930s), which Miró considered bourgeois. He began making a living as an accountant, but quickly left behind the world of numbers and fully devoted himself to art. Gradually, he developed his symbolic language that he first used in the paintings The Tilled Field (1924) and Catalonia Landscape (1923). This language is used in most of his works. For example, he used the triangle shape to show the head, curves to show a moustache, and a rectangular shape to depict the trunk. As a surrealist, he often painted without a plan, with references to sexual symbols (for example, egg-like forms with penetrating wavy lines). As one of the first artists, he used auto painting. André Breton - the founder of surrealism - eventually described him as the purest surrealist of us all and he is considered an influential painter of the 20th century, who influenced mainly American expressionists (from the better known, for example Rothko Pollock or Motherwell and Calder).