Kniend

ID: #1891 | TOP 100 | Realismus | Menschen

Date: 1857
Medium: oil on canvas
Location: Musee d'Orsay, Paris, France
Dimensions: 55.5 x 66

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Die Linien der Kartoffeln werden durch warmes Abendlicht beleuchtet, und der Mann und die Frau unterbrachen die Arbeit, um das Knien zu beten (was wahrscheinlich die Glocken aus der Kirche im Hintergrund klingelt). Das Bild ist eine Hommage an harte menschliche Arbeit, Frömmigkeit, Demut und Respekt vor der Natur. Das Bild bestritt nicht, dass Millet selbst von einer bäuerlichen Familie und einer ähnlichen Szene sehr gut stammte.

Millet painted picture Kniend in 1857. Prevailing color of this fine art print is dunkel and its shape is landschaft. Original size is 55.5 x 66. This art piece is located in Musee d'Orsay, Paris, France. This image is printed on demand - you can choose material, size and finishing.

Jean-Francois Millet (1814-1875). At the outset of his career, he refused the stereotyped concept of painting and became a free portrait painter. He influenced Impressionists through his selection of topics: he painted simple people, poor farmers and the humility of hardworking people. He loved the countryside where he lived, devoted a lot of energy for rural people. Millet’s paintings are characterized by an interesting, gold and melancholy light that gives his landscapes a religious character. The Angelus - church bells in the distance strike as two people say a prayer of thanks for the harvest (ironically, the Louvre auctioned this painting for an astronomical sum). Gleaners. The monumentality of characters achieved through simplification of the environment (which was later used by Seurat) is clamped from above by the horizon. The image probably expresses the oppression of peasants (especially women without voting rights) after 1848.