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Spanischer Sänger

Edouard Manet

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Spanischer Sänger

ID: #1871 | Impressionismus | Porträts

Date: 1860
Medium: oil on canvas
Location: Metropolitan Museum of Art, New York, USA
Dimensions: 147.3 x 114.3

Das Gemälde zeigt eine illustrierte Darstellung eines Mannes, der auf einer Bank sitzt und Gitarre spielt. Der Mann trägt einen großen schwarzen Hut und seine Kleidung sieht altmodisch aus. Er trägt einen schwarzen Mantel, ein weißes Hemd und einen um den Hals gebundenen Schal. Das Bild erinnert an eine Zeit um das 18. oder 19. Jahrhundert. Im Vordergrund liegen ein zerbrochenes Keramikgefäß und ein Stück Brot auf dem Boden.
Erstellt von einer künstlichen Intelligenz, bitte haben Sie Nachsicht.

Manet painted picture Spanischer Sänger in 1860. Prevailing color of this fine art print is lebendig and its shape is porträt. Original size is 147.3 x 114.3. This art piece is located in Metropolitan Museum of Art, New York, USA. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.

Spanischer Sänger

Edouard Manet

Motif size

Total size: 63 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
40 €

Shipping date: 2 days

Spanischer Sänger

ID: #1871 | Impressionismus | Porträts

Date: 1860
Medium: oil on canvas
Location: Metropolitan Museum of Art, New York, USA
Dimensions: 147.3 x 114.3

Das Gemälde zeigt eine illustrierte Darstellung eines Mannes, der auf einer Bank sitzt und Gitarre spielt. Der Mann trägt einen großen schwarzen Hut und seine Kleidung sieht altmodisch aus. Er trägt einen schwarzen Mantel, ein weißes Hemd und einen um den Hals gebundenen Schal. Das Bild erinnert an eine Zeit um das 18. oder 19. Jahrhundert. Im Vordergrund liegen ein zerbrochenes Keramikgefäß und ein Stück Brot auf dem Boden.
Erstellt von einer künstlichen Intelligenz, bitte haben Sie Nachsicht.

Manet painted picture Spanischer Sänger in 1860. Prevailing color of this fine art print is lebendig and its shape is porträt. Original size is 147.3 x 114.3. This art piece is located in Metropolitan Museum of Art, New York, USA. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.


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