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Rennen in Longchamp

Edouard Manet

Unsere Gestaltungsvorschläge:
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vintage
klassisch


Rennen in Longchamp

ID: #1878 | Impressionismus | Menschen

Date: 19th century
Medium: oil on canvas
Location: The Art Institute of Chicago, IL, USA

Das Gemälde stellt eine Pferderennszene mit Reitern auf Pferden dar, die auf das Publikum zureiten. Die Zuschauer sind entlang der Zäune und auf der Tribüne rechts versammelt, im Hintergrund sind Grünflächen und ein weiter blauer Himmel zu sehen. Die gesamte Szene strahlt Dynamik und Bewegung aus, wobei der künstlerische Stil von detaillierteren Darstellungen von Menschen zu ausdrucksvolleren Darstellungen von Pferden und Natur übergeht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Manet painted picture Rennen in Longchamp in 19th century. Prevailing color of this fine art print is blau and its shape is lang. This art piece is located in The Art Institute of Chicago, IL, USA. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.

Rennen in Longchamp

Edouard Manet

Motif size

Total size: 80 x 41 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
34 €

Shipping date: 2 days

Rennen in Longchamp

ID: #1878 | Impressionismus | Menschen

Date: 19th century
Medium: oil on canvas
Location: The Art Institute of Chicago, IL, USA

Das Gemälde stellt eine Pferderennszene mit Reitern auf Pferden dar, die auf das Publikum zureiten. Die Zuschauer sind entlang der Zäune und auf der Tribüne rechts versammelt, im Hintergrund sind Grünflächen und ein weiter blauer Himmel zu sehen. Die gesamte Szene strahlt Dynamik und Bewegung aus, wobei der künstlerische Stil von detaillierteren Darstellungen von Menschen zu ausdrucksvolleren Darstellungen von Pferden und Natur übergeht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Manet painted picture Rennen in Longchamp in 19th century. Prevailing color of this fine art print is blau and its shape is lang. This art piece is located in The Art Institute of Chicago, IL, USA. This image is printed on demand - you can choose material, size and finishing.

Édouard Manet (1832-1883). French Impressionist painter. He perhaps had the misfortune of starting at a time when the pendulum of history was deviating from traditional academic painting and Impressionism: for his generational peers, he was too progressive and for young painters, he was too traditional. Manet had an innovative spirit that, during his study of old masters (such as Diego Velázquez), he complemented with an excellent painting technique. From the Impressionists, he took a penchant for displaying reality using long expressive brush strokes, studying objects in the open air, and concentrating on working with light and colour. Unlike the Impressionists, however, he did not give up black colours, contours and classical composition. In fact, he did not even want to be associated with the Impressionists – he wanted his paintings to be included independently in Salon exhibitions and avoided the label of Impressionism.


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80 x 41 cm
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