Nympha Egeria

ID: #1839 | TOP 200 | Romantismus | Landschaften

Date: 1669
Medium: oil on board
Location: Museo e Gallerie Nazionali di Capodimonte, Naples, Italy

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Wie in der Arbeit von Nymph und Satyr Lorrain verwendet es in erster Linie wunderschön gerenderte Landschaften, die durch Zeichen am Ende des Bildes kompositorisch ergänzt werden. Auch hier können wir alte Architektur, raffinierte Bäume und Wasseroberfläche genießen. Nach den Mythen war die Nymphe der Egeria die Frau eines der ersten Könige Roms, einer Numa. Nach seinem von Trauer umgebenen Tod verließ Egeria die legendäre Stadt und wurde von Trauer in eine Feder verwandelt. Nach Mythos wurde die Göttin von Quellen und Seen.

Lorrain painted picture Nympha Egeria in 1669. Prevailing color of this fine art print is dunkel and its shape is landschaft. This art piece is located in Museo e Gallerie Nazionali di Capodimonte, Naples, Italy. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.