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Meeresufer

Claude Lorrain

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Meeresufer

ID: #1836 | Romantismus | Meer und Schiffe

Date: 1639
Medium: oil on canvas
Location: Cincinnati Art Museum, Ohio, USA
Dimensions: 78.1 x 101

Das Gemälde zeigt eine malerische Landschaft bei Sonnenuntergang mit Blick auf das Meer und das Festungsgebäude. Im Vordergrund ist eine Gruppe von Menschen am Ufer zu sehen, einige in Booten, andere sitzend oder stehend am Ufer. Ein großer Baum dominiert die Landschaft, und die Schatten in der Szene deuten auf den späten Nachmittag hin. Die historische Kleidung und der architektonische Stil des Gebäudes deuten darauf hin, dass es sich um eine Szene aus der vormodernen Zeit handelt.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Lorrain painted picture Meeresufer in 1639. Prevailing color of this fine art print is lebendig and its shape is landschaft. Original size is 78.1 x 101. This art piece is located in Cincinnati Art Museum, Ohio, USA. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.

Meeresufer

Claude Lorrain

Motif size

Total size: 80 x 60 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Meeresufer

ID: #1836 | Romantismus | Meer und Schiffe

Date: 1639
Medium: oil on canvas
Location: Cincinnati Art Museum, Ohio, USA
Dimensions: 78.1 x 101

Das Gemälde zeigt eine malerische Landschaft bei Sonnenuntergang mit Blick auf das Meer und das Festungsgebäude. Im Vordergrund ist eine Gruppe von Menschen am Ufer zu sehen, einige in Booten, andere sitzend oder stehend am Ufer. Ein großer Baum dominiert die Landschaft, und die Schatten in der Szene deuten auf den späten Nachmittag hin. Die historische Kleidung und der architektonische Stil des Gebäudes deuten darauf hin, dass es sich um eine Szene aus der vormodernen Zeit handelt.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Lorrain painted picture Meeresufer in 1639. Prevailing color of this fine art print is lebendig and its shape is landschaft. Original size is 78.1 x 101. This art piece is located in Cincinnati Art Museum, Ohio, USA. This image is printed on demand - you can choose material, size and finishing.

Claude Lorrain (1600-1682). Family name Gelée. French landscape artist. He was the most important author of 17th century landscape paintings. He uncovered the beauty of different times of day - because of this, he painted landscapes with light from the west, east or in different weather conditions. Especially at the beginning, he enjoyed painting landscapes with distant views, distant horizons and elaborate details. In the more mature period of his life, he simplified his composition and tried to capture the atmosphere of the place. He painted pictures with tranquil views of the sea combined with monumental architecture (often ruins of ancient buildings - see his most famous painting The Embarkation of the Queen of Sheba), landscapes and vast groves, all in a poetic and harmonic spirit. His painting techniques had many followers and lasted until the onset of Impressionism.


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80 x 60 cm
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