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Fräulein Thea Proctor

George Washington Thomas Lambert

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Unsere Gestaltungsvorschläge:
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eleganz
modern
vintage
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Fräulein Thea Proctor

ID: #4181 | Realismus | Porträts

Das Gemälde zeigt eine Frau, die ein dunkelblaues oder schwarzes Kleid mit winzigen weißen Tupfen trägt. Auf dem Kopf trägt sie einen großen, mit Federn geschmückten schwarzen Hut. Sie sitzt seitlich in einer lockeren, natürlichen Pose und stützt sich auf ihren linken Arm. Ihr Gesichtsausdruck ist mild mit einer leichten Andeutung eines Lächelns. Der Hintergrund zeigt einen blauen Himmel mit sanften Wolken und einigen braunen Blättern oder Zweigen, was der Szene einen Hauch von Natur verleiht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is dunkel and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

George Washington Thomas Lambert (1873-1930) was a realistic painter and son of an American railroad engineer. Born in St. Petersburg, his parents emigrated to Australia. He worked as a clerk in a transport company. However, he gravitated towards a rural way of life ( Landscape with Farmers) and he found a fondness for horses that he captured in his hauntingly, colourfully soothing paintings, for example Settler’s Daughter. When his paintings began to earn money, he returned with his wife to England, but shortly thereafter moved back to Paris as London seemed to him too conservative. In Paris, he drew inspiration and techniques of old masters such as Anthony Van Dyck an Peter Paul Rubens < / a>. Before the outbreak of World War I, he devoted himself to portraits of friends and family. His most important portrait was the equestrian portrait of Edward III. He returned to Australia in 1921 and exhibited and worked there until his death in the 1930s.

Motif size

Total size: 61 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Fräulein Thea Proctor

ID: #4181 | Realismus | Porträts

Das Gemälde zeigt eine Frau, die ein dunkelblaues oder schwarzes Kleid mit winzigen weißen Tupfen trägt. Auf dem Kopf trägt sie einen großen, mit Federn geschmückten schwarzen Hut. Sie sitzt seitlich in einer lockeren, natürlichen Pose und stützt sich auf ihren linken Arm. Ihr Gesichtsausdruck ist mild mit einer leichten Andeutung eines Lächelns. Der Hintergrund zeigt einen blauen Himmel mit sanften Wolken und einigen braunen Blättern oder Zweigen, was der Szene einen Hauch von Natur verleiht.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is dunkel and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

George Washington Thomas Lambert (1873-1930) was a realistic painter and son of an American railroad engineer. Born in St. Petersburg, his parents emigrated to Australia. He worked as a clerk in a transport company. However, he gravitated towards a rural way of life ( Landscape with Farmers) and he found a fondness for horses that he captured in his hauntingly, colourfully soothing paintings, for example Settler’s Daughter. When his paintings began to earn money, he returned with his wife to England, but shortly thereafter moved back to Paris as London seemed to him too conservative. In Paris, he drew inspiration and techniques of old masters such as Anthony Van Dyck an Peter Paul Rubens < / a>. Before the outbreak of World War I, he devoted himself to portraits of friends and family. His most important portrait was the equestrian portrait of Edward III. He returned to Australia in 1921 and exhibited and worked there until his death in the 1930s.


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61 x 80 cm
39 €