Judith I.

ID: #82 | TOP 20 | Symbolismus | Nackt

Date: 1901
Medium: oil on canvas
Location: Österreichische Galerie Belvedere, Vienna
Dimensions: 42 x 84

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Er schaut auf den Zuschauer unter den Deckel, sein Mund hat einen entzückenden offenen und hält den Kopf von Holoferna unter seinem rechten Arm. Berge, Feigenbäume und Reben beziehen sich auf die assyrische Erleichterung am Sinacherib -Tempel. Judita, oft als Salome erwähnt, war eine fromme Frau, die klug war, um den Militärbefehlshaber der Assyrer zu besiegen, der in einem unbewachten Moment ihren Kopf enthauptete. Die detaillierte Originalgeschichte stammt aus der Bibel, dem Alten Testament, dem Buch Júdit. Das Original des Bildes, manchmal auch Judith und der Kopf von Holofern, ist von einem massiven goldenen Rhythmus umgeben, der von Klimts Bruder Ernst produziert wird.

Klimt painted picture Judith I. in 1901. Prevailing color of this fine art print is dunkel and its shape is groß. Original size is 42 x 84. This art piece is located in Österreichische Galerie Belvedere, Vienna. This image is printed on demand - you can choose material, size and finishing.

Gustav Klimt (1862-1918). As a painter, Klimt represents the best period of Vienna – a time when the works of Sigmund Freud or Mahler were developing, and Vienna was at the very least the Central European centre of culture and education. Klimt’s work combines symbolism and Byzantine features that create the undertone of his Art Nouveau style. Klimt’s images have a special, even anxious, atmosphere that often shows the Freudian idea of ​​erotica in any human movement and action. Klimt paints two-dimensionally, with intense colour while at the same time very gently and with refined dignity. Among Klimt’s famous works are the Water Snakes - two women with stylized, interwoven bodies that evoke the surreal world of fantasy and sensuality. Another masterpiece is Danae, a work inspired by Greek mythology, depicting a girl seized by Zeus, who was turned into a golden rain (Danae later gave birth to Perseus). His paintings often aroused passions and public protests, not only for their content but also for the innovative painting methods - eg. The Girlfriends, an image of two women at a romantic meeting.