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Anbetung des mystischen Lamms (Genter Altarbild)

Jan van Eyck

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Anbetung des mystischen Lamms (Genter Altarbild)

ID: #2268 | TOP 100 | Renaissance | Religiös

Date: 1432
Medium: oil on board
Location: St. Bavo Cathedral, Ghent, Belgium
Dimensions: 137.7 x 242.3

Automatisch übersetzter Text. Bitte entschuldigen Sie alle Fehler!

Es fängt Christi in Form eines Lammes ein, das auf dem Altar in der Wiese steht. Das Lamm wird als Symbol des Opfers Christi gefeiert. Der Heilige Geist schwebt über den Altar, und es gibt einen Brunnen mit lebendem Wasser im Vordergrund. Im Hintergrund ist das Panorama des neuen Jerusalems. Auf der rechten Seite befinden sich Charaktere aus dem Alten Testament auf der linken Seite einer Vielzahl von Heiligen.

Eyck painted picture Anbetung des mystischen Lamms (Genter Altarbild) in 1432. Prevailing color of this fine art print is dunkel and its shape is lang. Original size is 137.7 x 242.3. This art piece is located in St. Bavo Cathedral, Ghent, Belgium. This image is printed on demand - you can choose material, size and finishing.

Jan van Eyck or Johannes de Eyck (ca. 1385-1441). Dutch painter considered one of the greatest painters of the late Middle Ages. From the age of 30, he began to emphasize veracity in his paintings; this broke the conventions of the former Gothic style, which glamorized reality. His naturalism and realism soon grew into the Flemish school of painting, to which belonged painters such as Bosch, Peter Brueghel, van Dyck or Rembrandt. Eyck experimented with technique and was interested in the theory of light (therefore, he began to use brighter, more saturated colours). He was behind the major improvements and expansion in oil paints. His The Arnolfini Portrait or Portrait of Giovanni Arnolfini and his wife is among the most original works of its time. It is an oil on oak showing spouses living in the Flemish city of Bruges.

Anbetung des mystischen Lamms (Genter Altarbild)

Jan van Eyck

Motif size

Total size: 80 x 45 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
35 €

Shipping date: 2 days

Anbetung des mystischen Lamms (Genter Altarbild)

ID: #2268 | TOP 100 | Renaissance | Religiös

Date: 1432
Medium: oil on board
Location: St. Bavo Cathedral, Ghent, Belgium
Dimensions: 137.7 x 242.3

Automatisch übersetzter Text. Bitte entschuldigen Sie alle Fehler!

Es fängt Christi in Form eines Lammes ein, das auf dem Altar in der Wiese steht. Das Lamm wird als Symbol des Opfers Christi gefeiert. Der Heilige Geist schwebt über den Altar, und es gibt einen Brunnen mit lebendem Wasser im Vordergrund. Im Hintergrund ist das Panorama des neuen Jerusalems. Auf der rechten Seite befinden sich Charaktere aus dem Alten Testament auf der linken Seite einer Vielzahl von Heiligen.

Eyck painted picture Anbetung des mystischen Lamms (Genter Altarbild) in 1432. Prevailing color of this fine art print is dunkel and its shape is lang. Original size is 137.7 x 242.3. This art piece is located in St. Bavo Cathedral, Ghent, Belgium. This image is printed on demand - you can choose material, size and finishing.

Jan van Eyck or Johannes de Eyck (ca. 1385-1441). Dutch painter considered one of the greatest painters of the late Middle Ages. From the age of 30, he began to emphasize veracity in his paintings; this broke the conventions of the former Gothic style, which glamorized reality. His naturalism and realism soon grew into the Flemish school of painting, to which belonged painters such as Bosch, Peter Brueghel, van Dyck or Rembrandt. Eyck experimented with technique and was interested in the theory of light (therefore, he began to use brighter, more saturated colours). He was behind the major improvements and expansion in oil paints. His The Arnolfini Portrait or Portrait of Giovanni Arnolfini and his wife is among the most original works of its time. It is an oil on oak showing spouses living in the Flemish city of Bruges.


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