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Saint-Severin

Robert Delaunay

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Saint-Severin

ID: #6500 | Kubismus | Die Architektur

Das Gemälde zeigt eine perspektivische Ansicht des Innenraums einer gotischen Kirche oder Kathedrale. Der Schwerpunkt liegt auf den sich wiederholenden Bögen und Gewölben, die den Blick auf ein kleines Fenster in der Ferne lenken. Die Verwendung von Blau- und Grüntönen verleiht der Komposition einen kühlen Ton und betont die vertikalen Linien der Architektur. Der Stil des Gemäldes deutet auf den Einfluss des Expressionismus oder der Abstraktion hin, wobei die Elemente vereinfacht und die Farbpalette angepasst werden, um die emotionale Wirkung zu verstärken.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is blau and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

Robert Delaunay (1885-1941) was a French Cubist painter. He grew up with his uncle, who saw it him a nascent talent for painting. At 17, he enabled Delaunay to work in the studio of a theatrical backdrop designer. Four years later, he went to Brittany, where he met Henri Rousseau. In 1908, he served one year as a librarian in the army. His images, such as Lune no. 1, had a touch of abstraction with an emphasis on colour and illumination. Incidentally, he became an inspiration for Paul Klee. In 1912, he took part in his first major exhibition, where he received positive criticism. The Eiffel Tower motif is reflected in many of his paintings ( La Ville de Paris). During the war, he stayed with his wife in Portugal. He returned to Paris in 1921, and founded the Orphism art group, named after the Greek poet and the hero. The group’s goal was to work with rhythmic colour theory in combination with movement. Due to the growing threat from Nazi Germany, he went to the Auvergne. His health condition was very bad, he was suffering from cancer, and the move cost him much strength. He died at the age of 56 and is now buried at the cemetery in Gambais.

Saint-Severin

Robert Delaunay

Motif size

Total size: 59 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 10-ink HP Z9PS printer on HP matte 270 g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
39 €

Shipping date: 2 days

Saint-Severin

ID: #6500 | Kubismus | Die Architektur

Das Gemälde zeigt eine perspektivische Ansicht des Innenraums einer gotischen Kirche oder Kathedrale. Der Schwerpunkt liegt auf den sich wiederholenden Bögen und Gewölben, die den Blick auf ein kleines Fenster in der Ferne lenken. Die Verwendung von Blau- und Grüntönen verleiht der Komposition einen kühlen Ton und betont die vertikalen Linien der Architektur. Der Stil des Gemäldes deutet auf den Einfluss des Expressionismus oder der Abstraktion hin, wobei die Elemente vereinfacht und die Farbpalette angepasst werden, um die emotionale Wirkung zu verstärken.

Dieser Text und die Schlüsselwörter wurden von einer künstlichen Intelligenz erstellt, bitte haben Sie Verständnis!



Prevailing color of this fine art print is blau and its shape is porträt. This image is printed on demand - you can choose material, size and finishing.

Robert Delaunay (1885-1941) was a French Cubist painter. He grew up with his uncle, who saw it him a nascent talent for painting. At 17, he enabled Delaunay to work in the studio of a theatrical backdrop designer. Four years later, he went to Brittany, where he met Henri Rousseau. In 1908, he served one year as a librarian in the army. His images, such as Lune no. 1, had a touch of abstraction with an emphasis on colour and illumination. Incidentally, he became an inspiration for Paul Klee. In 1912, he took part in his first major exhibition, where he received positive criticism. The Eiffel Tower motif is reflected in many of his paintings ( La Ville de Paris). During the war, he stayed with his wife in Portugal. He returned to Paris in 1921, and founded the Orphism art group, named after the Greek poet and the hero. The group’s goal was to work with rhythmic colour theory in combination with movement. Due to the growing threat from Nazi Germany, he went to the Auvergne. His health condition was very bad, he was suffering from cancer, and the move cost him much strength. He died at the age of 56 and is now buried at the cemetery in Gambais.


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59 x 80 cm
39 €