Rückkehr von Judit

ID: #2223 | Renaissance | Menschen

Date: 1467
Medium: tempera, wood
Location: Galleria degli Uffizi, Florence, Italy
Dimensions: 31 x 24

Das Bild zeigt eine Szene mit zwei Figuren, die wahrscheinlich aus der Renaissance oder dem Klassizismus stammen. Auf der linken Seite steht eine Frau in einem orange-goldenen Kleid, die einen Kopfschmuck trägt und eine Last auf dem Rücken hat. Neben ihr steht eine zweite Frau in einem blauen Kleid mit weißen Elementen, die einen Olivenzweig hält. Beide Figuren stehen im Freien, im Hintergrund ist eine Landschaft mit einer Straße und Bäumen zu sehen.
Erstellt von einer künstlichen Intelligenz, bitte haben Sie Nachsicht.

Botticelli painted picture Rückkehr von Judit in 1467. Prevailing color of this fine art print is lebendig and its shape is porträt. Original size is 31 x 24. This art piece is located in Galleria degli Uffizi, Florence, Italy. This image is printed on demand - you can choose material, size and finishing.

Sandro Botticelli (1445-1510). Also known under the name Alessandro di Mariano di Vanni Filipepi. Botticelli was an Italian Renaissance painter from the Florentine school. His work belongs to the best in the early Renaissance. Botticelli took his surname allegedly from his brother’s nickname (who was as rotund as a tub – botticelli). His artistic career likely began in the goldsmith’s workshop of his brother Antonio. Botticelli was later entrusted by his family to the care of Filippo Lippi, a renowned painter and knowledgeable monk. As a renowned artist, Botticelli gained friends and benefactors from the most important Florentine families. He worked mainly for the Medici family. In 1481, together with another major Florentine painter, Domenico Ghirlandaio, Botticelli was summoned to Rome to participate in the decoration of the Sistine Chapel. In 1491, they were both appointed to a jury that was to decide on the contract for the construction of the facade of Florence cathedral. At the end of his life, he evidently worked under the influence of Savonarol’s fiery sermons, exclusively painting Christian themes. Among his most famous works are The Birth of Venus and Spring (Primavera) . Botticelli never married – he reportedly struggled with unrequited love for Simonet Vespucci, who was to be the model for his Venus. As his dying wish, he desired to be buried at her feet. His wish was fulfilled.