Date: 1485 Medium: tempera, canvas Location: Galleria degli Uffizi, Florence, Italy Dimensions: 180 x 280
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Auf der linken Seite können Sie die fliegenden Figuren der Zefyrs (des Gottes eines leichten westlichen Windes) der Flügelvenus auf der Meeresschale stehen. Auf der rechten Seite, eine der Töchter von Dia, die Göttin Thallo (die Töchter von Dis Töchtern werden als Hóra bezeichnet), die die Venus in einen Blütenmantel wickeln und die Ankunft des Frühlings (Allegorie des Frühlings) symbolisieren. Beachten Sie, dass die Venus unnatürlich lange Arme und eine schräg linke Schulter hat. Es gibt mehrere andere Symbole auf dem Bild: Pink Rose ist ein Symbol der Sexualität und des menschlichen Verlangens (Venus war auch eine Göttin von Blumen). Muscheln, die einmal auf die weiblichen Genitalorgane verwiesen wurden - ein Symbol für den Neuanfang und die Geburt, später waren die Muscheln ein Symbol für Wiedergeburt und Auferstehung. Der Gott des Wind Zefyros und seine Frauen Chloris symbolisieren den Strom und die Kombination von Geist und Materie. Gold im Bild unterstreicht den Wert des Bildes und bezieht sich auf Perfektion und Liebe.
Botticelli painted picture Geburt der Venus in 1485. Prevailing color of this fine art print is lebendig and its shape is landschaft. Original size is 180 x 280. This art piece is located in Galleria degli Uffizi, Florence, Italy. This image is printed on demand - you can choose material, size and finishing.
Sandro Botticelli (1445-1510). Also known under the name Alessandro di Mariano di Vanni Filipepi. Botticelli was an Italian Renaissance painter from the Florentine school. His work belongs to the best in the early Renaissance. Botticelli took his surname allegedly from his brother’s nickname (who was as rotund as a tub – botticelli). His artistic career likely began in the goldsmith’s workshop of his brother Antonio. Botticelli was later entrusted by his family to the care of Filippo Lippi, a renowned painter and knowledgeable monk. As a renowned artist, Botticelli gained friends and benefactors from the most important Florentine families. He worked mainly for the Medici family. In 1481, together with another major Florentine painter, Domenico Ghirlandaio, Botticelli was summoned to Rome to participate in the decoration of the Sistine Chapel. In 1491, they were both appointed to a jury that was to decide on the contract for the construction of the facade of Florence cathedral. At the end of his life, he evidently worked under the influence of Savonarol’s fiery sermons, exclusively painting Christian themes. Among his most famous works are The Birth of Venus and Spring (Primavera) . Botticelli never married – he reportedly struggled with unrequited love for Simonet Vespucci, who was to be the model for his Venus. As his dying wish, he desired to be buried at her feet. His wish was fulfilled.
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