Das Gemälde stellt eine Industrielandschaft in der Abend- oder Morgendämmerung dar. Im Vordergrund ist ein Fluss oder Kanal zu sehen, der zugefroren oder mit Schnee bedeckt ist und durch den eine Eisenbahnlinie verläuft. Im Hintergrund sind Silhouetten von hohen Gebäuden und Schornsteinen zu sehen, die Rauch ausstoßen und auf eine industrielle Tätigkeit hindeuten. Der Himmel ist teilweise bewölkt, aber am Horizont sind Streifen von leuchtendem gelbem und blauem Licht zu sehen. Das Gemälde ist in einem expressiven Stil mit sichtbaren Pinselstrichen ausgeführt.
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Prevailing color of this fine art print is lebendig and its shape is landschaft. This image is printed on demand - you can choose material, size and finishing.
George Wesley Bellows (1882-1925) was an American Realistic painter. During his studies, he devoted himself to baseball and wanted to become a professional player. He also made money on the side as an illustrator. He did not finish school, but rather moved to New York to study art under the guidance of Robert Henri, another important American artist. In his pictures, we often see scenes capturing the New York working class as they toil with, for example, a Sand Car. Snowy Picture Building Pennsylvania Station contrasts with the previous image. Here, Bellows plays with light and shadow. As an athlete, he could not miss out on boxing images in his repertoire. The painting Match in Sharkey captures the motion not only in the ring but also in the ranks of spectators. In the 1820s, he studied at the Chicago Art Institute. In his old age, he lived with his family in Woodstock. He died of a cracked peritonitis. His life’s work can be seen in all the major museums across America.
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