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Chien

ID: #3565 | TOP 100 | Romantisme | Animaux

Date: 1819-1823
Medium: oil on canvas
Location: Museo del Prado, Madrid
Dimensions: 79.3 x 131.5

Texte traduit automatiquement. Veuillez excuser toutes les erreurs!

Dans l'image, nous pouvons voir la tête d'un petit chien noir qui a une recherche. Le reste de son corps est caché derrière la masse brune indéfinie au fond de l'image. Le chien est l'une des 14 peintures que Goya a peintes directement sur les murs de sa maison entre 1819 et 1823. Les œuvres de cette série sont pleines d'horreurs et de thèmes effrayants, par exemple, nous pouvons mentionner Saturne à manger un de nos enfants. Ces peintures n'ont jamais été destinées aux expositions publiques et n'ont jamais été exposées aux yeux des gens ordinaires jusqu'à sa mort.

Goya painted picture Chien in 1819-1823. Prevailing color of this fine art print is brun and its shape is portrait. Original size is 79.3 x 131.5. This art piece is located in Museo del Prado, Madrid. This image is printed on demand - you can choose material, size and finishing.

Francisco de Goya (1746-1828). Born in Spain, the son of a goldsmith. His work is characterized by loose brush strokes, an unprecedented release from the obligation to draw exactly according to reality. His works are among the precursors of many future artistic directions (Realism, Romanticism, Impressionism, Expressionism, and Surrealism). He became the court painter to Charles IV and a member of the Academy. Among Goya’s most famous works are the cycle Disasters of War (eg. The Third of May 1808, a picture painted during the Spanish revolution against France, in which Goya utilises his typical brush strokes and plays with light, clearly showing on which side he stands) and portraits Clothed Maja and Naked Maja. The nude was, for the time, sensual, natural, and without unnecessary decorations (flowers, nature, silk). It is no coincidence that, for this painting, Goya was prosecuted by the Inquisition.

Motif size

Total size: 47 x 80 cm

Material


Finishing


Frame & passepartout

colour of passepartout
none

Selected finishing

Matte paper (print)
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Print. The image is printed on the top quality 9-ink HP Z9PS printer on Fomei Cotton Smoooth g / m2 paper. You can choose any size to an accuracy of 1 cm. A margin of 5 cm around the image is added to the size of the motif.

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You can find a detailed description about our finishings here.

:
36 €

Shipping date: 2 days

Chien

ID: #3565 | TOP 100 | Romantisme | Animaux

Date: 1819-1823
Medium: oil on canvas
Location: Museo del Prado, Madrid
Dimensions: 79.3 x 131.5

Texte traduit automatiquement. Veuillez excuser toutes les erreurs!

Dans l'image, nous pouvons voir la tête d'un petit chien noir qui a une recherche. Le reste de son corps est caché derrière la masse brune indéfinie au fond de l'image. Le chien est l'une des 14 peintures que Goya a peintes directement sur les murs de sa maison entre 1819 et 1823. Les œuvres de cette série sont pleines d'horreurs et de thèmes effrayants, par exemple, nous pouvons mentionner Saturne à manger un de nos enfants. Ces peintures n'ont jamais été destinées aux expositions publiques et n'ont jamais été exposées aux yeux des gens ordinaires jusqu'à sa mort.

Goya painted picture Chien in 1819-1823. Prevailing color of this fine art print is brun and its shape is portrait. Original size is 79.3 x 131.5. This art piece is located in Museo del Prado, Madrid. This image is printed on demand - you can choose material, size and finishing.

Francisco de Goya (1746-1828). Born in Spain, the son of a goldsmith. His work is characterized by loose brush strokes, an unprecedented release from the obligation to draw exactly according to reality. His works are among the precursors of many future artistic directions (Realism, Romanticism, Impressionism, Expressionism, and Surrealism). He became the court painter to Charles IV and a member of the Academy. Among Goya’s most famous works are the cycle Disasters of War (eg. The Third of May 1808, a picture painted during the Spanish revolution against France, in which Goya utilises his typical brush strokes and plays with light, clearly showing on which side he stands) and portraits Clothed Maja and Naked Maja. The nude was, for the time, sensual, natural, and without unnecessary decorations (flowers, nature, silk). It is no coincidence that, for this painting, Goya was prosecuted by the Inquisition.


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